 |
From
lush ambient soundscapes to kicking dance music, from settings of
Gertrude Stein poetry to the words of Martin Luther King, the variety
of possible worlds opened up by the tools of electronic music is
vast. Click on the icons to the left to try some out....
All
music copyright Steve Hawker
Speech
Music

|
The Making of Americans - a poem
by Gertrude Stein
From
1906 onwards, Picasso was the great artist and friend in Gertrude
Stein's life. He made a portrait of her, and she wrote the poem "A
Portrait of Picasso". Her poetry explores in words much of what Picasso
explored in Cubism - the altered perspectives that come from seeing
things from different angles. Their work meets at the juncture of the
visual and the verbal, and I was intrigued by the musical possibilities.
Picasso portrays his figures by breaking away from the traditional
artistic sense of perspective. This perspective was derived from the
use by artists of the "camera obscura" since the Renaissance, where
images are captured and frozen: the viewpoint being fixed, with the
lines of perspective converging at a theoretical point of infinity.
Whilst their sense of space seems to capture the "reality" of a scene,
the fixed viewpoint also has the effect of freezing time - the observer
cannot move around. Picasso instead reveals his figures from
different viewing positions, so as your eye moves, you can see the back
and the sides of a figure, present and past, a sense of the inherent
animation of the figures.
Stein explores similar changes in perspective in her poetry, by
repeating phrases and varying them subtly. By moving around phrases,
their meaning is mutable and comes to life in the listener's own space.
My musical interpretation of this track also uses repetition and
changing perspective through use of different time signatures and time
stretch, to create a sound world to compliment Stein's.
|
 |
Copulating
Shellfish
I've been experimenting with field recordings and the way speech has a
much more potent emotional impact when combined with music. There's a
balance to be struck between "interpreting" the speech through the
music (to create a single "perspective" and so risking stamping my own
slant on the meanings of the
words), and allowing the musical qualities of language to inform the
music (allowing the voices to become musical instruments which can
resonate with the listener's own sense of meaning). I find this
junction between music and meaning to be an interesting one. This field
recording was made with an M-Audio MicroTrack sound recorder and
captured a
surprising conversation at Gwynver beach. To be taken
with a pinch of seasalt ;)
|
Upbeat

|
I Have
a Dream
With
the inspiring words of Martin Luther King's most famous speech,
this track unfolded all by itself. "I have a dream.... let freedom ring"
|
 |
Marazion
Marazion
is a village in Cornwall right at the end of the St. Michaels ley line,
looking out over Mounts Bay to the castle perched on top of the magical
island of St. Michael's Mount. There's such a strong energy to the
place that I had to try and capture some of it in music. I've done a
pure electronica version of this track which is more straight dance
music, but this version has some guitar on it from Paul Pisciotto. He
got these amazing ambient sounds out of his
FXed guitar, getting some of the classic Eno/Fripp quality to his
sound. So I had to do a remix.
|
 |
New
Dawn
This track is a mix of medieval brass, jazz trumpet, and dance music.
|
 |
Dubya
and Friends
Part pisstake, part nightmare, with an ambient backing track.
|
 |
Rhodes
Island
Chilled out Rhodes piano with lush pads, ethnic percussion, and driving
rhythms. This track features some more of Paul's guitar playing, from
hypnotic trance patterns to spaced out effects.
|
 |
Ozone
(ninja remix)
The inspiration for this track was found when I came across some
samples when searching at the weirder end of the internet. Out of the
white noise of short wave radio there occasionally emerges disembodied
voices endlessly repeating patterns of numbers, nursery rhymes, and all
sorts of other random stuff. The best guess is that they are codes
broadcast to spies and other cold-warriors out in the field. They are
in all sorts of languages and are broadcast from countries all over the
world. They form a kind of world music of the underworld. Kinda
spooky....
All
mixed in with some electronica and all sorts of other sounds from
around the world.
|
Soundtrack
 |
Entering
a courtyard
Using field recordings in music really enhances the story-telling
aspects of music. It stimulates the imagination allowing the minds eye
to visualize what is happening.
|

|
Eastern Cityscape
Flying
across a city at night in the far east. A mix of serene detachment, and
an anticipation at the turbulent worlds just below the surface. |
Ambient
Tracks
 |
Agnus
Dei
Chilled out Rhodes piano with lush pads, ethnic percussion, and driving
rhythms. This track features some more of Paul's guitar playing, from
hypnotic trance patterns to spaced out effects.
|
 |
Tintagel
This
track was inspired by a visit to Tintagel - home of King Arthur - a
ruined castle on the clifftops of the Atlantic. Its a mix of hypnotic
moog sounds, birdcalls, piano and orchestral writing. Its an attempt to
capture some of the dark mystery of a beautiful place that has been the
scene of epic tales of love, war, the magic of Merlin and home of the
kinghts of the round table.
|
 |
Siren
Song
The
haunting
song of the sirens coming out of the waves, luring the sailors to their
deaths on the rocks. Their hearts aching in the face of the sirens'
beauty, they forget themselves and feel the call of the depths, never
to come back....
|
|
 |
|